![]() The colour of particular items is set – Captain Marvel’s suit needs to be a very specific colour regardless of the environment, because this is intrinsic to an iconic brand.” ![]() ![]() “In the Marvel cinematic universe, there’s already an established visual language. “From a colour point of view, I got involved in it very late by comparison to other projects. “It’s a huge technical, effects-laden film,” he said. Even now, his goal is to continue evolving and polishing his own techniques and methodologies.ĭoug came to this project relatively late in post-production. Recent blockbuster Captain Marvel was finished at Technicolor in Los Angeles, with Doug Delaney at the helm.ĭoug started his career in VFX before specialising in digital intermediate finishing – with many feature films in his repertoire. Case Studies Finishing ‘Captain Marvel’ A conversation with colourist Doug Delaney ![]()
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